An has been described as the most influential designer of the Eighties
His innovations in graphic design have revolutionised the look of magazines, advertisements and packaging. Whether record sleeve or supermarket package, the products paraded for our admiration and consumption as often as not borrow ideas that first saw the light of day on a sketch-pad.
While the voraucious media boom of the Eighties led others to adapt ideas from PeterÕs original design, few of his imitators have achieved the same resonance. PeterÕs work follows his belief in design to reveal, not to conceal.
That has its roots in the art movements of the early twentieth century, in particular Dadaism and Constructivism including his ground-breaking design including his ground-breaking design ncluThe Graphic Including his ground-breaking design and typografhy for the international style journal, The Face. The accompanying text features many direct quotes and observations on design theory and practice. With over 450 illustrations, this book provides a wide-ranging introduction to important recent.The Graphic Language of man collects together much of his output over the last decade, including his ground-breaking design and typografhy for the international style journal, The Face. The accompanying text features many direct quotes and observations on design theory and practice. With over 450 illustrations, this book provides a wide-ranging introduction to important recent.collects together much of his output over the last decade, including his ground-breaking design and typografhy for the international style journal, The Face. The accompanying text features many direct quotes and observations on design theory and practice. With over 450 illustrations, this book provides a wide-ranging introduction to important recent.an has been described as Ôthe most influential heHis innovations in graphic design have revolutionised the look of magazines, advertisements and packaging. Whether record sleeve or supermarket package, the products paraded for our admiration and consumption as often as not borrow ideas that first saw the light of day on a sketch-pad.
While the voraucious media boom of the Eighties led others to adapt ideas from PeterÕs original design, few of his imitators have achieved the same resonance. PeterÕs work follows his belief in design to reveal, not to conceal.
That has its roots in the art movements of the early twentieth century, in particular Dadaism and Constructivism including his ground-breaking design.
The Graphic Language of man collects together much of his output over the last decade, including his ground-breaking design and typografhy for the international style journal, The Face. The accompanying text features many direct quotes and observations on design theory and practice. With over 450 illustrations, this book provides a wide-ranging introduction to important recent.The Graphic Language of man collects together much of his output over the last decade, including his ground-breaking design and typografhy for the international style
The accomThat has its roots in the art movements of the early twentieth century, in particular Dadaism and Constructivism including his ground-breaking design.
The Graphic Language of man collects together much of his output over the last decade, including his ground-breaking design and typografhy for the international style journal.